SENTIMENT, liberty and opportunism have been the governing principles of The Pedestrian since its inception, aiming as it did, does, and (until the venture ceases to be profitable) will, to speak for life’s transeúntes, those marginal men and women who, for cultural shifts, ill fortune or simple lack of talent and enterprise, are exiled to life’s periphery, forced to content themselves with the few pleasures which the slow and exhaustible trickle of generational wealth permits them: to walk, to observe, and to be idle.