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Titter-worthy. Displaying a refined acumen concerning word economy and prose-prosody. Character exposition in a classical mode, but fresh nonetheless -- each paragraph presents careful segments of novel information that twists the reader's melon, so to speak, and serves its portion of intrigue. The Atocha Station is, as I am sure you are all aware, the lingering catastrophe of "reality" that encircles the protagonist of Ben Lerners' debut novel -- but here, in lieu of real tragedy, Gupree Dubyoo splatters his comedy of manners with the a priori obliteration of its non-character, the Erased Hindoo Randeep, whom we steadily learn the narrator-protagonist relies on, parasitically and almost sociopathically. Jamesian? Wildean? Edith Wharton? Anthony Powell? P. G. Waterhouse? Of course the Nab' rears his ubiquitous cranium in the majority of these on-the-nose "erudite stylising", but there is a specifically British tone and poise that Gupjert enters. I have half-taken it upon myself to discern the limits of its genealogy, partly out of arrogance, envy; partly for my own peace of mind. I should have you know I do feel quite terrible, as it stands. Not that that matters. Personal reasons, private strife. I won't go into it. I'm even sorry I mentioned it. Be that as it may, what we might glean from this gracious offering, (a once-paywalled piece now democratised and open-to-the-public), is that Willy Gup has a strong hand, and a strong mind. He is capable of mature strokes, of ploughing the middle path: he never loses himself to giddiness, nor sours beneath the requisite severity of imposed structure. Is he a perfect writer? *The* Perfect Writer? It's not impossible to suggest such a thing. That is, however, for you to decide. Let's not be idiots here. Let us dine, consume, make of this sumptuous repast a vanishing via belly -- and then, once all is nibbled and absorbed, make our blethering assumptions and half-baked hypotheses known.

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